Finding Foreground

Landscape Photography Video Courses

Mid Year Sale – 30-50% Off

Start-to-Finish Photography Workflows by Ryan Dyar, Nick Page, Anne Mckinnell, Kate Silvia & More!

For Limited Time Only


Aspen Glen - Varina Patel

When we’re on location, we spend a lot of time looking for foreground. We want to convey a sense of location – not just distant, untouchable beauty… but the feeling that you are a part of this place. You can see the tiny details right in front of you… reach out and touch the rocks or put your fingers in the water… walk into the photograph. We want you to feel that you are standing there experiencing it in person. Maybe that’s asking a bit much from a photograph, but we do try. 🙂

The above photo is from Snowmass Wilderness in Colorado. We spent hours wandering these beautiful hillsides – the area offered stunning beauty, but not very many obvious foreground objects. I used the interesting bark of the tree to give the viewer a sense of the texture of the bark. When you know how that papery, white bark looks and feels, you gain a deeper understanding of the place… a connection with the landscape.

If you can get up close and personal, your brain interprets the image more fully. You start to feel the textures in the bark, the warmth of the sun on your face – you know these sensations, and when you see a photograph, memory mingles with vision to evoke a response.

Not convinced? Try this… take a piece of paper and hold it up in front of your computer screen so that it covers the foreground in each image in this post. In the photo above, cover up those tree trunks on the left. In the rest of the photos below, cover up the bottom third – or half – of the photograph. Are the images as effective without the foreground?

This shot from the everglades in Florida is entirely different from the last one. When you look at a photo, do you take the time to let the sensations of the place sink in? The dry grass crackling underfoot, the wind rattling the leaves, the light filtering through heavy thunderheads. And does the foreground in this shot help draw you in?

Everglades National Park - Florida, USA

And what about shooting in locations that seem similar to one another? The desert, for example. Is one desert just like the next? Sand, tumbleweed, dune… how do I convince you that you haven’t seen this desert before? The sky – lovely as it is – doesn’t tell you a thing about where you are. The distant mountains are indistinct… it’s the foreground that gives you a sense of place. Take a look at the next three images – and note how the foreground provides information about the place. (And remember that if these images were printed at large size, you’d be able to see even more details!)

This is Utah’s beautiful desert …

Out of the Ashes - Varina Patel

And this one is in California’s Death Valley National Park…

Hourglass - Varina Patel

And this is in Arizona…


Foreground isn’t always necessary – but it can be an important defining element. Get creative! Invite the viewer to step into your mind and see through your eyes.

Does finding a foreground element and composing an image come naturally to you? Or do you struggle to include foreground details in your photos? Do you have suggestions or tips for other photographers? Comments are always welcome. Maybe others can learn from your experience!

About Author Varina Patel

There is nothing more remarkable to me than the power of nature. It is both cataclysmic and subtle. Slow and continuous erosion by water and wind can create landscapes every bit as astonishing as those shaped by catastrophic events – and minuscule details can be as breathtaking as grand vistas that stretch from one horizon to the other. Nature is incredibly diverse. Burning desert sands and mossy riverbanks… Brilliant sunbeams and fading alpenglow… Silent snowfall and raging summer storms… Each offers a unique opportunity. I am irresistibly drawn to the challenge of finding my next photograph, and mastering the skills required to capture it effectively.