Visual Wilderness
  • Get Started
  • Shop
    • SPECIAL OFFERS
    • STREAMING SERVICE
    • Browse by Topic
    • Learn To Shoot
    • Post Processing
    • Online Classes
    • eBooks
    • Landscape Photography Guide
  • Blog
    • Blog
    • Guest Photographers
  • About
  • My Account
    • My Account
  • Search
  • Menu Menu
  • 0Shopping Cart

Can you Share your Photoshop Workflow?

September 11, 2013/in Post Processing, Q and A/by Varina Patel

blog copy

When I speak publicly, I get a lot of questions about my post production workflow. People want to know how much work we do in post, and how – exactly – we produce a finished image. The problem is, there’s no clean answer to that questions – except “It depends.” And it does. Each image requires a different set of steps. When the planning stages are done and the shot is in the camera, the photo becomes an entity of it’s own. Each photo has a unique personality – and the post processing workflow reflects that.

Some photographs require nothing more than a few minutes in the RAW converter. The first step is the most important. I just look at the photo. Maybe that seems obvious, but I think it’s critically important. I don’t just jump in and start playing with sliders. Instead, I think about what I want to accomplish. I usually have a pretty clear idea of what I want to create before I release the shutter in the field, so this step might take just a few seconds. Once I know what I want from the photo, I can make the changes quickly and without hesitation because I’ve spent a lot of years experimenting. I always select my color balance carefully, and I often make adjustments to contrast and clarity. I also frequently clean up chromatic aberrations using the lens correction tools.

Sometimes, that’s all it takes. But there are times when I need to open an image in Photoshop and give it a little more attention. This is always true for bracketed shots that require blending – like the one you see here. In that case, I’ll process the images in Camera RAW, and then I’ll open them in Photoshop. I use layers and masks to create a finished image that matches the vision I had in my mind while I was shooting. At times, the finished photo will be very close to the real scene as I remember it. Other times, I’m looking to create something surreal or dreamy or abstact.

blog2

As I worked on this photo, I grabbed a screen shot to show the layers and masks I was using. I used three bracketed shots – one for the trees, one for the sky and the water, and a third to help brighten up the darkest regions of the sky. In the end, I chose not to brighten up those dark corners (you can see that the top layer is turned off) because I liked the depth they produced.

I should mention that learning to anticipate what you’ll need to do in post processing isn’t easy. It takes practice and experimentation. It’s only because I spent a lot of years playing with my photos that I am able to get through my workflow quickly. And I still don’t get it right on the first try every time. It’s a learning processes.

Does your workflow differ from mine? – Feel free to share with our readers via comments.

About Author Varina Patel

There is nothing more remarkable to me than the power of nature. It is both cataclysmic and subtle. Slow and continuous erosion by water and wind can create landscapes every bit as astonishing as those shaped by catastrophic events – and minuscule details can be as breathtaking as grand vistas that stretch from one horizon to the other. Nature is incredibly diverse. Burning desert sands and mossy riverbanks… Brilliant sunbeams and fading alpenglow… Silent snowfall and raging summer storms… Each offers a unique opportunity. I am irresistibly drawn to the challenge of finding my next photograph, and mastering the skills required to capture it effectively.

Website | Google+ | Facebook | Twitter | YouTube

NATURE PHOTOGRAPHY NEWSLETTER

Join 45,000+ Nature Photographers and get the free eBooks, free creativity course & discount codes right in your inbox.

loader

Note: We never share your email address with anyone. More Info.

Blog | Shop | About

 Email Policy  |  Privacy Policy  |  Terms

INFOCUS NEWSLETTER

Join 45,000+ other photographers and get the Free eBooks, Free Creativity Course & Discount Codes right in your inbox.


loader

Note: We never share your email address with anyone. More Info.

All Rights Reserved, © Copyright Visual Wilderness

Shooting on an Overcast DayThe Waiting Game
Scroll to top

This site uses cookies. By continuing to browse the site, you are agreeing to our use of cookies.

OK

Cookie and Privacy Settings



How we use cookies

We may request cookies to be set on your device. We use cookies to let us know when you visit our websites, how you interact with us, to enrich your user experience, and to customize your relationship with our website.

Click on the different category headings to find out more. You can also change some of your preferences. Note that blocking some types of cookies may impact your experience on our websites and the services we are able to offer.

Essential Website Cookies

These cookies are strictly necessary to provide you with services available through our website and to use some of its features.

Because these cookies are strictly necessary to deliver the website, refusing them will have impact how our site functions. You always can block or delete cookies by changing your browser settings and force blocking all cookies on this website. But this will always prompt you to accept/refuse cookies when revisiting our site.

We fully respect if you want to refuse cookies but to avoid asking you again and again kindly allow us to store a cookie for that. You are free to opt out any time or opt in for other cookies to get a better experience. If you refuse cookies we will remove all set cookies in our domain.

We provide you with a list of stored cookies on your computer in our domain so you can check what we stored. Due to security reasons we are not able to show or modify cookies from other domains. You can check these in your browser security settings.

Other external services

We also use different external services like Google Webfonts, Google Maps, and external Video providers. Since these providers may collect personal data like your IP address we allow you to block them here. Please be aware that this might heavily reduce the functionality and appearance of our site. Changes will take effect once you reload the page.

Google Webfont Settings:

Google Map Settings:

Google reCaptcha Settings:

Vimeo and Youtube video embeds:

Privacy Policy

You can read about our cookies and privacy settings in detail on our Privacy Policy Page.

Privacy Policy
Learn More
NATURE PHOTOGRAPHY NEWSLETTERJoin 45,000+ Nature Photographers

Unlock Your Photography Potential! Get Free Webinars, Tips, eBooks, and More Delivered Straight to Your Inbox! 📸✨

We never share your email address with anyone. More Info.

Enter your email address