MASTERING LIGHT ONLINE WORKSHOP
Nature photography classes empowering you to master light in the field and in post-processing.
Workshop starts in:
When you first get started in landscape photography, at the bare minimum, you need three pieces of equipment: a camera, a normal zoom lens (24-70mm), and a tripod. Many other pieces of equipment are nice to have and you will eventually need more to produce great photographs, but these three items are enough to start developing your skillset as a photographer. Besides a mastery of your equipment, you’ll also need to understand the role light, terrain, and weather play in landscape photography. This understanding will dramatically increase your chances of coming away with a stunning image.
Exposure Compensation | Shutter/Aperture Priority | Manual Exposure (Shutter Speed, Aperture, ISO) | Metering Modes | Histogram | Bracketing
Exposure refers to whether or not your image is too dark or too bright. An image with a correct exposure has more of an impact to the viewer. One of the first things you should learn as a photographer is how to go beyond auto-exposure shooting… how to take control of the exposure rather than simply relying on the camera’s auto settings. Exposure compensation is an easy way to adjust an incorrect exposure; you should know how to manipulate it up or down to make images lighter or darker. The following are important to know in regards to exposure.
Auto Focus | Focus tracking | Hyperfocal distance | Focus stacking | Focusing with Livewview | Mirror-lockup | Timed release
A common struggle that new (and even some experienced) photographers often have is understanding how to get every important aspect of an image sharply in focus. We recommend that you start by learning your camera’s focusing mechanism and what options or modes are available to you. Some of the things you’ll need to know regarding focus include:
Working with Lenses, Filters & Light
Different Types of Light | GND Filters | ND Filters | Circular Polarizer | Diffusers/Reflectors
As a landscape photographer, you must be able to recognize the variety of light conditions you’ll encounter in the field. These range from a very high dynamic range (where you’re challenged to capture a photo with a properly exposed foreground and a properly exposed sky) to soft light conditions (such as in a fog where the light is so muted it makes every photo look dull). Knowing that your camera alone cannot capture these images properly, you must be familiar with other photography equipment and techniques (bracketing, GND and ND filters, circular polarizers, diffusers, and reflectors) that allow you to manipulate or control the light effectively.
Research & Planning
Long Term Planning: Season | Tides | Sunrise/sunset | Moonrise/Moonset | Seasons
Short Term Planning: Current Conditions | Abnormal Weather Patterns | Access & Permits
We often get this question:
I am going to Yellowstone National Park. What should I shoot?
We never decide to go to a location and then find something to shoot. Instead, we research and find the best location to visit at the time of year that we are making our travel plans. For example, if we plan to travel in autumn, we research the best locations to photograph fall colors during that time. This maximizes our chances of success.
Besides seasonal patterns, we also look for tide times, sunrise and sunset times, terrain, and more to help us select the best possible shooting location. One key thing to remember… nature is not predictable. The best laid plans can be foiled by a drought, flood, or unusual weather pattern. It’s best to be flexible and to check the current conditions when you arrive at your location.
At its core, landscape photography is all about determining and developing your workflow. We define workflow in this context simply as the set of steps you follow in order to actualize whatever image you may envision. Not only does a solid workflow include photography skills (technical know-how, compositional strategies, and post-processing ability), but more often than not, it also requires out-of-the box thinking to help you overcome the challenges you may face because of local elements.
While the technical aspects of your workflow will always be limited by available technology, creativity is one aspect of photography that has no limitations. By establishing a strong workflow, you can worry more about being creative and less about the limitations of your technology. New gadgets and software will always come and go, but establishing your own creative process is a lifelong learning experience.
Composition: Rules of Composition | Using colors effectively | Creating Mood | What not to include in your photos
Perception: Knowing how your brain works | Defining your point of interest | Creating Impact
The basic rules of composition are a common, and important, lesson. But it is equally important to know when to break those rules. Your goal as a photographer should be to come away with a photo that produces an impact on its viewers. The rules of composition alone don’t guarantee your photographic success.
Composition, color, and mood go hand-in-hand. Color & mood are a vital part of nature and, for landscape photographers, using them is just as important as following the rules of composition.
Even when following the rules of composition, your image may contain distracting or unwanted elements. One of the first things we do when we arrive at a location is to decide what not to photograph along with what we want to photograph.
Perception is what tells you, as a photographer, how others see your images. Understanding how images are analyzed or knowing how the brain categorizes things gives you an advantage in creating an impact with your photographs. To learn more about how the brain works, we recommend some reading on Gestalt principles. These principles explain how the brain breaks a scene down into simple parts. If you’re able to do this, you’ll be able to create incredibly impactful images.
With perception, you also must be able to clearly define your point of interest. A viewer shouldn’t have to ask, “What is this photographer trying to tell me? Is it about the lady bug, the flowers, or the mountain in the background?” The viewer’s attention should be clearly drawn to the true point of interest.
Thinking outside the box | Difficult light | Unique Perspective | Artistic in Camera Techniques
You may have polished all of your technical photography skills, but sometimes that’s not enough when you’re out in the field. With landscape photography, you can’t always control your environment. When nature isn’t cooperating as you planned, you must be able to think outside the box and come up with some unusual techniques. You must also be prepared for difficult lighting situations. For example, you may expect the golden hours to provide you with brilliant skies and gorgeous colors but when this doesn’t happen, you have to deal with the light you’re given. It may be flat blue skies… it may be stormy weather. Be prepared to use your creativity to still come away with an impactful photograph.
You also must have artistic techniques available in case a new opportunity presents itself. Try panning your camera to create unusual images. Try a different perspective by shooting from an unusual angle… from on top, below, or even through something. Try shooting through raindrops… or even shooting the raindrops themselves rather than the scene around them. Some other techniques we’ve used… shooting reflections… capturing just the light itself… showing how water bounces off of a rock… or simply the splash of waves on a beach. These types of artistic techniques can enormously increase your effectiveness as a photographer.
The advent of digital photography and computers has made is possible for everyone to jump on the post-processing band wagon. And why not? Post-processing offers the unlimited potential to make corrections to your photos and also to overcome the limitation of the camera (such as DOF and Dynamic Range). But remember, post-processing is NOT a replacement for learning to shoot. In the long run, having the “fix it later in Photoshop” attitude hurts your creativity and development as a photographer.
Organization & Storage
Organization | Keywords | File Types | Storage & Backup
Basic post-processing involves how you manage your images once they’re shot. You can apply this to any type of image such as JPG, RAW, and even photos from a smart phone or a point-and-shoot camera. You need to consider the following:
Remember that all of these issues must be considered for the organization and safe storage of your image collection.
Working with RAW Files
RAW Processing Software | Basic Adjustments | Advanced Adjustments
Today most cameras, except maybe some smart phones and low-end point-and-shoot types, have RAW file capabilities. A RAW file is like having a digital negative; it’s not yet in a viewable format but it maintains most of the image’s original information. In this format, you can manipulate the image file ‘after the fact’ to create what you think is the best image.
In post-processing, it’s important to understand and know how to use a RAW file converter. You must also know the basic adjustments such as exposure, white balance, contrast, saturation, highlights, and shadows. For example, there may not be just one correct white balance for the entire image; you may have to create multiple white balances to properly adjust different parts of the image. But even before that step, you must be able to proficiently identify which white balance works best based upon the final product you’re trying to create.
RAW converters also have a variety of advanced adjustment tools that are such as the following indispensable for landscape photography:
Because working with RAW files allows you to manipulate images in ways you couldn’t otherwise do, ensure that you are proficient in both basic and more advanced RAW adjustment tools.
Advanced Post Processing
Mastering Post Processing Software | Local or Targeted Adjustments | Manual Blending | Preparing for Distribution
Once you’re finished processing your images with a RAW converter, you may still feel that they are not processed exactly as you want them to be. For post- or advanced processing work, we suggest you become familiar with photo processing tools such as Photoshop, GIMP, Photomatix, or any other popular editing tool available on the market. Your processing knowledge base should include, for example, how to make targeted or localized adjustments to specific parts of your images and how to fine-tune settings such as contrast.
Landscape photography and High Dynamic Range (HDR) photography go hand- in-hand. There are two ways to process HDR photography:
We recommend that you become proficient in both of these techniques to ensure you’re able to determine which is best (or most optimized) for the look you’re trying to achieve.
Once your image file is processed and saved, you also must know how to prepare the file for a printer, magazine cover, social media sharing, or any other distribution type. There are a number of techniques to do this, but we recommend that you create your own workflow(s). Thoroughly know your workflow so that, when a client calls, you can efficiently prepare the file for the appropriate distribution.
Creative Post Processing
Artistic Processing Techniques | Black & White | Post Processing to create mood
We’ve all been taught that most photos should be processed exactly as they appeared when we shot them. But…this isn’t always true. Perfect exposure may require you to process a photo one way, but if you want to create a different mood – such as the feeling of dark stormy clouds moving over the horizon – you may want to process it a different way. Sometimes you may want to focus more on texture, form, or the mere shapes in your image. Converting to black and white rather than color is one way to accomplish this. Don’t be afraid to process your photos in a way that authentically expresses your mood or feelings at the time of the shot.
Not every photographer wants to go into the business of making money. In fact, there are very few photographers who would like to do so. For lot of photographers, the path to making money is not quite as clear as picking up the camera and shooting photos. If you do want to pursue photography as a business, here are few things to get you started.
What to sell? | Time Commitment: Full Time vs. Part Time | Financial Commitment
Services: Weddings and Events and Portraits | Skills: Education, Workshops, Seminars, eBooks, Post Processing Tutorials | Fine Art Prints: Galleries, Online, Art Shows
There are many photographers who feel ready to ‘go pro’, but they’re stuck in not knowing exactly how to take the plunge. The first step on the path to becoming a professional photographer is to know what options you have in regards to selling your skills and/or products. It’s also crucial to know exactly what type of photographer you want to be. DO YOUR RESEARCH… be familiar with the many genres or varieties of photography and have a clear goal of which you plan to pursue. The more defined your goals, the easier it will be to develop a solid business plan.
Your business plan should include everything from start to finish including such things as:
Thorough planning and preparation will give you a better chance of finding success as a professional photographer.
Marketing & Selling
Get to know your clients | Defining and targeting your audience: Global vs. Local | Getting the word out: Social media, Magazines, Free vs Paid | Promotions | Mailing lists
Although getting the word out in social media or creating a website are both good marketing techniques, they may not be the most effective way to achieve your goals as a professional photographer. You must be able to target the right ‘audience’ or client base… the ones who will want to purchase your images. People on social media may admire and appreciate your photos, but that doesn’t mean they’ll want to purchase them. Become familiar with all available marketing options and how to sell your product or services through them. You also must decide how much to charge… what will be provided as a free service versus a paid service (or a combination of the two). As mentioned in the Going Pro section, all of these things (marketing, selling, pricing, targeting the right client base, etc) should be listed in your business plan.
Finance & Logistics
Bank accounts and taxes | Processing Payments: Credit cards, Paypal, etc. | Taking Orders: Online, In person | Logistics: Support, Shipping and Returns
Getting your photography business up and running can be a lot of fun. Unfortunately, there are other, possibly ‘less fun’ aspects that are just as important to consider when you’re ‘going pro’. Financial and logistical operations may fall under this category. Consider the following:
Knowing the answers to logistics and financial questions in regards to your business will be extremely helpful as you build your new career.