Color or Monochrome?
When I decide to convert an image to monotone, it’s usually because I want to change what the image is about. What does that mean exactly? Well, take a look at this example.
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Here’s a photograph of a wave off the coast of California. The color is pretty intense, and it helps to define the photograph. But what happens when I take those colors away?
Below is a monochrome version of the same photograph. I used Nik Silver Efex Pro to convert the image to black and white, adjust the contrast and add a smooth blue tone. The image is no longer defined by its color… at least not in the same way the first one is. Instead, this image is about texture, form, and contrast. All those elements are present in the first image, but the color is so intense that it really grabs your attention.
LIGHT & TEXTURE WORKSHOP
We’ve partnered with some of the world’s best nature photographers to get your creative juices flowing.
So, if I want my viewer to notice the beautiful textures in my photograph, converting to monotone removes color as a distracting element. What do you think?
About Author Varina Patel
There is nothing more remarkable to me than the power of nature. It is both cataclysmic and subtle. Slow and continuous erosion by water and wind can create landscapes every bit as astonishing as those shaped by catastrophic events – and minuscule details can be as breathtaking as grand vistas that stretch from one horizon to the other. Nature is incredibly diverse. Burning desert sands and mossy riverbanks… Brilliant sunbeams and fading alpenglow… Silent snowfall and raging summer storms… Each offers a unique opportunity. I am irresistibly drawn to the challenge of finding my next photograph, and mastering the skills required to capture it effectively.
