What if I ask you what’s wrong with the unprocessed landscape photo below? And how can you fix it?
This is a trick question. If you open this image and look at its histogram, you’ll notice that the entire dynamic range is contained within a single shot. In fact, the image uses only part of the dynamic range that can be displayed by the camera. Sometimes, low contrast landscape photos like this create a problem for us. The scene as I remember looked something like the one you see in the processed image.
So what happened? Why did the camera fail to capture the image as I remember it even though it was an easy shot to take? Here is what happened:
- Low Contrast Landscape Photos: Sometimes we find ourselves photographing a scene where the light conditions are perfect. We can capture the entire dynamic range with a single exposure, so no special filters or bracketing is necessary. But when we open up the raw file, it appears to lack the contrast and details that we remember while out in the field. This occurs because, although the contrast and sensitivity of our eyes adjusts based upon the light conditions, the dynamic range of the camera’s sensor remains fixed. So, low contrast scenes end up using only a fraction of the dynamic range of the sensor. The result is the creation of a flat and unappealing image. Here are some more before and after examples of low contrast landscape photos:
- Unbalanced Light: On this particular day, the light in the sky was more intense then the light falling on the foreground. Why? Because a low-lying layer of mist on the horizon was blocking the light from falling on the foreground, while the sky was lit by direct sunlight. When the camera captured the photo, it over-exposed the sky and under-exposed the foreground.
Image 1 below shows the processing steps for this low contrast landscape photos. To make these changes, I used Photoshop layers and masks. I processed the image twice, once for the foreground and once for the sky. Then, I used Photoshop layers and mask to blend these two layers together.
Then, I needed to bring out the details and colors as I remembered them. To do this, I used the curves tool and targeted adjustments to fine tune the contrast for the foreground, sky, and mountains. I used a separate clone layer to clone out the distracting foreground elements.
Our Blending with Light Photoshop Tutorial gives you an in depth look at how we use light create a stunning natural looking HDR images using Photoshop Layers & Masks. Our Blending with Light Photoshop tutorials avoid complicated, long-winded explanations and feature our simple, step-by-step process that we follow every time we blend.